And just like that here we are in December, the whole year gone by in a blink of an eye. I have been negligent of this blog for a number of reason one of which, I am not proud to admit, is procrastination. Nevertheless I have decided to share with you the highlight of 2019 - my watercolor exhibition.
Little over six month in making with the support of my family and friends it ended up being a truly great experience.
The decision to show my work was fueled in part by my life in a world of modeling, more specifically the rejection aspect of it. We all know the feeling, it is less then unpleasant, but it is an innate nature of modeling, like it or not, but if you choose to connect your life with the world of entertainment, you would be judged on a daily basis…
Growing up I never thought of myself as attractive or beautiful, and I sort of made my peace with it, then I moved to Saint Petersburg and was approached by scouts, I was told I could be a model - for the breath shinny moment my confidence soared “I could be a model’ what a lovely notion for a young girl’s self-esteem, the victory, however, was shot lived, because right after I found out that “my face is unbalanced”, “my torso is way too long” and “my legs are not long enough” the list goes on and on… Very quickly I realized that the industry I am joining in not as rosy as one would hope. This is rather complicated subject and I wouldn’t want to go in depth about it right now, I would just point out that the main problem for me is that modeling in many ways places the value on the way you look and it is becoming hard to separate your own “self" from the “self" that is being judged and chosen or not chosen.
It became important to me to try and find alternative ways of expression, to do something where importance lies not only in the way I look, but in what I can do - so I have decided to share my watercolor works. I need to mention that I was fortunate enough to find people that supported my idea and were so helpful during the whole process and gave me an opportunity to share my ideas.
I have been fascinated with flowers for the very long time. Seemingly fragile, they remain very strong: you can see flowers growing on a side of the mountain, at the highest altitudes; making their way through concrete in a steel jungles, that are our cities; they are striving in the harshest environments and still keep their ability to bloom.
To me a blooming flower symbolizes sheer life force, raw power of creation. There’s many lessons we can take away from it. The flower does not care if you (the beholder) think it is beautiful, the flower will bloom, no matter if you watch it or not, the flower blooms simply because it is in it’s nature… I think we can try to be the same, we can learn to do things, without the need for validation from the outside world, we can be ourselves, simply because it is our nature. So as you can see flowers became central subject for my exhibition.
The idea that something can be both gentle and strong at the same time came through many of my tea ceremony practices, that I have been studying, under graceful guidance of Souheki-san, for past four years. Tea ceremony shows you that in order to make things look seamless and effortless you need to have strong “core", you need to be grounded and balanced. If you find your “tanden”(丹田) and trust in it, your practice will flourish.
Flower celebration and tea ceremony exploration are interconnected to me, that is why I decided to hold two tea ceremony demonstrations in conjunction with my watercolor exhibition to make it more of an immersive experience. Being able to share my passion for Japanese tea ceremony and to talk about my art work, to hear what struck the cord, what people got connected to and inspired by, was surreal, in part because up until the very end I was not sure if anyone will care, if anyone would show up and if what I have even worth sharing.
Through out all the uncertainty and doubt, organizational challenges (and If you ever tried to plan anything you know that things will fall thru at the very las moment ), financial predicaments this “Flower Dreaming” project ended up being the most incredible thing that happened in 2019.
I was amazed by the support I got from my friends and loved ones, turning the idea born out of pain of rejection into the celebration of appreciation - what a great lesson for the year.
So I am guessing the point of this post is this - "do not be afraid to put yourself out there”, “take a chance” and “fear not”. And right now I am talking to myself even more then to anyone else, because I am the most scared person there is.
For 2020 - let stop being afraid, let’s live and bloom just like a flower, simply because it is our nature.
Happy New Year.
P.S. You can see my watercolor work in here www.dinarachetyrova.com/watercolor.html
I love NYC and I realize how incredibly lucky I am to be able to call this place home for the past 6 plus years, but living in NYC comes with the price. The city is so intense, the crowds, the constant movement, tiny apartments and never-ending hassle, this what gives you life, motivates you but at the same time it is what overwhelms you and you end up feeling like you just need a break, a reset button. Some people go to therapy, I practice japanese tea ceremony…
I am not gonna get into the history or describe the process in this post, I just want to share with you what it means to me, why am I doing it and how it affected my life.
Now the school I am practicing at is "Japan Association of the Tea Ceremony “ (JATC). http://www.santokuan.or.jp and unlike some of the other schools like Urusenke or Omotesenke, that were established somewhat 400th years ago, our school is relatively young and dates back 119th years (est. 1898) this what makes it's approach a modern one. Traditionally world of tea was very exclusive and available to noble and wealthy people, blood lines traditions were extremely important and procedure was dictated by the long list of rules and vigorous practice.
Being a huge tea lover I was always curious about tea ceremony, but this feeling of strictness and exclusiveness made me hesitant and unsure, this is why I was so happy when I discovered Tea Whisk - www.tea-whisk.com NYC based japanese tea ceremony school. From the very first trial lesson I was transported (and yes I realize how cheesy this word is) into another world, suddenly it all came together, the purpose of tea ceremony is creating a moment of beauty and sharing it with people. Since then I knew that I want to bring this feeling into my life, I wanted to be a part of it.
For me practicing tea ceremony is a form of meditation, escape from busy NYC life. I leave my phone in a closet and in our gadget powered world it is an accomplishment in itself and for the hour and half that follows I am totally present in a moment, focused on what’s around me. In the tea ceremony world everything has a deep meaning behind it, from greeting, to hanging scroll, to flower arrangement, to incense choice the list goes on… At the recent Hatsugama (first tea ceremony of new year) my team among other things was assigned flower decoration and the 5 of us took about 40 min deciding the best way of cutting blooming brunch, it makes you look at things differently and forces you to think deeper of the world and yourself. Every movement has a purpose, placement of each tea utensil is intentional, everything has a natural flow to it and just makes sense when you look close enough, it is quite logical and I am a big fan of logical.
It is also about community. I have met so many wonderful people from all over the world. One of the students in our school is a ceramics artist with the studio in Brooklyn and we were fortunate enough to have an opportunity to create our own tea bowls, guided by her. That was a useful lesson in many ways, as it turned out pottery is hard, very hard and it made me appreciate the craft even more now and although I was all set on creating a very feminine delicate bowl,my clay just didn’t want to go that way, so eventually I had to except the fact that I will just have to let it do it’s thing and I ended up with rather big and masculine bowl.
There is a sense of camaraderie among students and at our big events such as Hatsugama or School Showcases we always come together, helping each other and looking out for each other and it feels great.
We have been lucky enough to use Globus Washitsu space - http://nycwashitsu.com
Modeled after traditional Kyoto tea houses it brings spirit of Wabi-Sabi to NYC and completes the transporting tea ceremony experience. It is also a home to number of events promoting Japanese culture (Kimono artists, Calligraphy artists, Wagashi artists, Musicians and so on)
The heart of every school is the teacher and our master Souheki Mori is an incredible one. She loves what she does with all her heart and it shines through, her passion for beauty of tea ceremony is contagious, she keeps reminding us that when we practice or perform tea ceremony it is about experience, creating new, unique moment of harmony and sharing it with people. Like many Russian born women I have a ballet background and I am used to constant critique, every practice, every showcase people focused on technique, presentation and what you have done wrong, basically you always do something wrong, which is why this new way is so surprising to me, because our teacher never points out mistakes (even tho there are mistakes) she urges us not to get caught up in doing everything perfect and error free, rather focus on your guests and use tea ceremony as a way of showing your love and appreciation and this is what I have been trying to do with the few tea ceremonies I have been fortunate enough to host.
If you’d like to get a glimpse of what it’s like check out my friend’s vlog post www.youtube.com/watch?v=GaS9zwPr1P4&t=1s
Happy tea drinking!